Why Everything Here Is Terracotta

Visitors ask why the whole studio drifts toward the same burnt orange. The honest answer is that we mixed one powder batch we loved three years ago and never managed to love anything else as much.

Color is a commitment device. When every prototype has to live in the same palette, the bad shapes have nowhere to hide — you see proportion, not novelty. So the terracotta stays, and the shapes keep having to earn it.